All Raags
Raag
Bhairavi
The Queen of Ragas
Arohana (Ascending)
S r g M P d n Ṡ
Avarohana (Descending)
Ṡ n d P M g r S
Tradition
Hindustani
Thaat
Bhairavi
Jaati
Sampurna–Sampurna
Time of Performance
Early morning; traditionally the concluding raga of a concert
About This Raag
Bhairavi is often called the "Queen of Ragas" for its profound emotional depth and extraordinary versatility. It uses all four komal (flat) swaras — Re, Ga, Dha, and Ni — giving it a distinctive, deeply expressive character. Though technically a morning raga, Bhairavi has earned a unique privilege: it is traditionally the last raga performed in any concert, regardless of the time of day. Its ability to convey devotion, compassion, tenderness, and even joy makes it one of the most beloved ragas in the Hindustani tradition.
Mood & Character
Devotional, compassionate, tender, versatile
Notable Facts
- Often called the "Queen of Ragas" for its profound emotional depth
- Uses all four komal swaras — Re, Ga, Dha, and Ni are all flat
- Traditionally the last raga performed in a concert, regardless of the time of day
- Extremely versatile — used in devotional, romantic, and even festive compositions
- One of the most popular ragas in Bollywood film music